Rutheniridosmine

The place where the mineral was first found and described — by convention, the reference point for the species.

Resistance to being scratched, ranked on the Mohs scale from 1 (talc, marked by a fingernail) to 10 (diamond, scratches everything below it). The classic field test.

Whether and how much light passes through a mineral, from transparent (you can see through it) to translucent, then opaque.

The hue of the mineral itself. Often unreliable for identification — many species occur in several colours depending on trace impurities or radiation damage.

A change of colour as a coloured anisotropic mineral is rotated under plane-polarised light. Tourmaline and cordierite are textbook examples.

The colour seen through a polarising microscope — often unlike the hand-specimen colour, because section thickness and orientation both matter.

Whether an opaque mineral changes brightness or hue as the stage is rotated under crossed polarisers in reflected light. A key ore-mineral test.

A general label for how an opaque mineral responds to polarised reflected light, summarising bireflectance and anisotropism together.

One of seven geometric families that describe a mineral's atomic symmetry: isometric (cubic), tetragonal, hexagonal, trigonal, orthorhombic, monoclinic, triclinic. Two non-crystalline classes — amorphous and icosahedral — also appear.

The full symmetry description of a crystal's repeating atomic pattern — 230 distinct groups, written in Hermann–Mauguin notation (e.g. P6₃/mmc).

The lengths of the unit-cell edges (a, b, c) in ångströms — the smallest repeating box of atoms that builds the crystal.

The number of formula units contained in a single unit cell.

Two or more crystals of the same species grown in a fixed symmetric relationship, sharing a plane or axis. Often visible as re-entrant angles.

Chemical elements that make up the mineral's ideal formula, listed by atomic symbol with their share of the total mass.

Minor or trace elements outside the ideal formula but commonly detected in natural specimens. Often the cause of colour variation.